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<p lang="sa">
15
 
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<p lang="sa">
43
 
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<p lang="sa">
With the cool winds of
 
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<p lang="sa">
neighbouring tanks.
of the early

of the early
morn, he has to make himself ready for the discharge of

his sacred duty, after sufficiently refreshing

g himself by the

energizing sleep overnight.sg shols red do noagee

The message or the Sandesa is the crowning item in
 
</p>
<p lang="sa">
hearty and must be

The physical words
 
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<p lang="sa">
as directed by the

What else can be more
 
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<p lang="sa">
the kavya. And as such it must be

couched in the language of the heart.

conveying it must necessarily be

originator of this type of kavyas.

hearty here than an actual picture of Rama's sufferings
&apos;s sufferings
and wailings in actually hearing of and then realizing the

sudden loss of his beloved Sita? Lovers divine each
other'

other&apos;
s sufferings during their periods of separation. The

immortal Valmiki has, in

in his own inimitable style, recorded
those unhappy moments and the still more unhappy and

those unhappy moments and the still more unhappy and
pitiable agonies of Rama in the Dandaka forest, soon

after his dear Sita was mercilessly snatched away from

him. Instead of drawing upon his own imagination as
use of the

use of the
does Kalidasa, Venkatanatha has amply made use

ready-made material available at hand. As we have already

inferred, his very purpose is to popularize some of the

best thoughts of Valmiki. A sense of appreciation of the

beautiful elsewhere, coupled with a desire to share with

others the discovered beauty, and a humble suppression

of the self before what is honestly believed to be more

sublime have perhaps made Venkatanatha adopt the course

he actually did. But to proceed:
 
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<p lang="en">
JE
 
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<p lang="sa">
on to 19
 
the
 
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<p lang="en">the</p>
<p lang="sa">
To make his presence known to Sita, the Hamsa is

directed to softly sing the praises of the two families of

Dasaratha and Janaka. This was exactly what the earlier
 
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